DIRIJYORLIK ISHORALARINING PSIXOLOGIYASI
PDF

Keywords

dirijyorlik, ishora, psixologiya, musiqiy kommunikatsiya, gestika, emotsional ifoda, orkestr boshqaruvi, musiqa idroki, vizual signal, interpretatsiya.

How to Cite

Xoshimova Hasandjanovna, L. (2026). DIRIJYORLIK ISHORALARINING PSIXOLOGIYASI. JOURNAL OF SCIENCE-INNOVATIVE RESEARCH IN UZBEKISTAN, 4(03), 8–16. Retrieved from https://scienceinno.org/index.php/jsiru/article/view/112

Abstract

Mazkur maqolada dirijyorlik ishoralarining psixologik mohiyati, ularning orkestr yoki xor jamoasi bilan kommunikativ aloqani ta’minlashdagi o‘rni tahlil qilinadi. Tadqiqotda dirijyorlik ishoralarining musiqiy jarayonni boshqarish, ritm va tempni muvofiqlashtirish hamda ijrochilarning emotsional idrokiga ta’sir ko‘rsatish mexanizmlari o‘rganildi. Shuningdek, dirijyorning qo‘l, yuz va tana harakatlari orqali musiqiy mazmunni ifodalash jarayonining psixologik asoslari ko‘rib chiqildi. Tadqiqot natijalari shuni ko‘rsatadiki, dirijyorlik ishoralari nafaqat texnik boshqaruv vositasi, balki ijrochilar va tinglovchilar ongida musiqaning emotsional va estetik qabul qilinishiga ta’sir etuvchi muhim psixologik kommunikatsiya vositasidir.

PDF

References

1. Musin I. A. Texnika dirijirovaniya. — Sankt-Peterburg: Muzyka, 1995.

2. Malko N. The Conductor and His Baton: Fundamentals of the Technic of Conducting. — Copenhagen: Hansen, 1950.

3. Green E. A. H. The Modern Conductor. — 7th ed. — New Jersey: Prentice Hall, 2004.

4. Leman M. Embodied Music Cognition and Mediation Technology. — Cambridge: MIT Press, 2008.

5. Davidson J. W. Visual Perception of Performance Manner in the Movements of Solo Musicians // Psychology of Music. — 1993. — Vol. 21. — pp. 103–113.

6. King E., Davidson J. W. The Role of Conducting Gestures in Musical Communication // Journal of New Music Research. — 2011. — Vol. 40. — pp. 75–89.

7. Rudolf M. The Grammar of Conducting: A Comprehensive Guide to Baton Technique and Interpretation. — New York: Schirmer Books, 1995.

8. Labuta J. A. Basic Conducting Techniques. — New Jersey: Prentice Hall, 2010.

9. Lerdahl F., Jackendoff R. A Generative Theory of Tonal Music. — Cambridge: MIT Press, 1983.

10. Juslin P., Sloboda J. Handbook of Music and Emotion: Theory, Research, Applications. — Oxford: Oxford University Press, 2010.